Lately, there’s something new occurring in the studio. The shapes, more specifically, the surfaces of the paintings are changing again. There was an ambitious need to make things incredibly volumetric, tactile and even sculptural for a while. That’s where the assemblage work came from. Lately, things have started to become a bit more flat and integrated again. It’s not quite the same as the pre-assemblage work, but a cross over into a different place where the main concern isn’t three dimensional but still somewhat physical.